唐云
唐云,字侠尘,别号药城、药尘、药翁、老药、大石、大石翁,画室名“大石斋”、“山雷轩”。男,汉族,浙江杭州人,自幼酷爱书画,十七岁前主要临摹古代名画。早年就读于杭州惠兰中学,十九岁时任杭州冯氏女子中学国画教师。1938年至1942年先后在新华艺术专科学校、上海美术专科学校教授国画,后弃职,专事绘画。期间,曾多次举办个人画展及其他画家举办联合画展。1949年后历任上海市美术家协会副秘书长、展览部部长,上海美术专科学校国画系主任,上海博物馆鉴定委员,上海中国画院副院长等职。1960年出席第三次全国文代会,1979年出席第四次全国文代会,同年应邀赴日本参加福冈市美术馆开幕式并进行艺术交流,擅花鸟、山水、偶作人物。花鸟取法八大、冬心、新罗诸家,山水自元四家入手,兼涉明代沈石田、清代石涛。所作不受描绘对象枝节上的束缚,善于抓住特点大胆落墨,细心收拾,笔墨上能融北派的厚重与南派的超逸于一炉,清丽洒脱,生动有致。作品多次在国内外展出并在报刊上发表。代表作品有《朵朵葵花向太阳》、《棉花谷子》、《红荷》、《鲜花朵朵》、《郁金香》、《松鹰》、《竹》、《白荷》、《海棠双鸟》、《山雨欲来》、《咏梅》等。出版《唐云花鸟集》、《革命纪念地写生》等多种,亦擅书法,长于草篆及行书,工诗文,精鉴赏。现为中国美术家协会理事,中国美术家协会上海分会副主席,中国画研究院务委员,中国书法家协会上海分会名誉理事、西泠印社理事,上海市文物保管委员会委员,中国画院名誉院长。
Dirt of word a person adept in martial arts and given to chivalrous conduct, old man of dirt of alias medicine city, medicine, medicine, old drug, big stone, big Shi Weng, atelier name " big Shi Zhai " , " Shan Leixuan " . Male, the Han nationality, zhejiang Hangzhou person, from a child loves painting and calligraphy, name of main copy ancient time is drawn seventeen years old ago. One's early years reads middle school of Hui Lan of Yu Hang city, the Ren Hang when 19 years old learns teacher of traditional Chinese painting in city Feng woman. Came to was in early or late 1942 1938 schools, Shanghai art training school teachs Xin Huayi art traditional Chinese painting, post is abandoned after, only the thing is painterly. During, ever held painter of etc of individual art exhibition to hold associated art exhibition for many times. Minister of ministry of deputy secretary-general of Shanghai artist association, exhibition is had successively held the posts of after 1949, traditional Chinese painting of Shanghai art training school fastens a director, committee member of Shanghai museum appraisal, assistant dean of Shanghai China imperial art academy waits for duty. Attended countrywide Wen Daihui the 3rd times 1960, attended countrywide Wen Daihui the 4th times 1979, of the same age goes to Japan to attend opening ceremony of art gallery of blessing ridge city to keep abreast of on invitation an art communication, painting of flowers and birds in traditional Chinese style of arrogate to oneself, landscape, make a person occasionally. Take as one's model of painting of flowers and birds in traditional Chinese style is heart of 8 big, winters, new Home Luo Zhu, landscape from yuan 4 proceed with, hold experience concurrently cropland of stone of bright generation Shenyang, clear Dai Shitao. Be made do not suffer describe a boy or girl friend vimineous go up manacle, be good at capturing a characteristic bold fall Chinese ink, attentive clear away, on writing can the massiness that north of be in harmony sends and south the unconventionally graceful of the clique at one furnace, qing Li is free and easy, vivid have send. Work is exhibiting domestic and internationally for many times and publish on the press. Delegate work has " a sunflower Xiang Taiyang " , " pily millet " , " Gong He " , " bright flower " , " tulip " , " Song Ying " , " bamboo " , " Bai He " . Publish " collect of Tang Yun painting of flowers and birds in traditional Chinese style " , " revolutionary souvenir ground is sketchy " etc a variety of, also calligraphy of arrogate to oneself, grow Yu Cao seal and running hand, labour poem article, appreciate of essence of life. It is director of Chinese artist association now, vice-chairman of branch of Shanghai of Chinese artist association, china draws academy Wu committee member, director of reputation of branch of Shanghai of Chinese calligrapher association, Xi Ling imprints company director, shanghai cultural relic is custodial committee committee member, china draws courtyard reputation dean.
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