孙淮滨

孙淮滨美术作品

孙淮滨，安徽灵璧人，大学文化，副研究馆员职称。他早年师从清道人入室弟子王奎璧、吕凤子先生，宗法授受，深入堂奥，为清道人再传弟子。其书法碑学工深，长于北碑及篆隶，书风苍古浑厚，为同道称羡。其画从书入，谙熟“六法”，涉猎甚广，无论山水、花鸟、博古、人物，或工或写，无不兼能精擅，各臻其妙，早已蜚声画坛。他更眷恋民间美术，对乡土文化尤为挚着。特具灵璧地方色彩的“灵璧钟馗画”，具有悠久的历史渊源和深厚的民族文化积淀，它渊源于远古的图腾崇拜，是轩辕黄帝驱祟傩舞的嬗变。古老的钟馗文化，一直是中华民族心目中驱邪降福的巨灵，是正气的化身。钟馗逐厉驱魔的个性特质正与人民的心理素质相契合，故而它从古老的岁月一直伴随着民间民俗活动传衍至今。灵璧钟馗画是以唐人吴道子“钟馗样”为粉本，具有民俗信仰与艺术审美双重功能，它是精神文化与审美价值的重构，它代表着人民大众的文化与情感，是中华民族的民魂所归。灵璧钟馗画的存在是中国古老文化的“活化石”，是中国民间绘画的珍贵遗产。灵璧钟馗画曾于1915年参展于巴拿马万国博览会，荣膺金奖，蜚声国际画坛。但是解放以后，由于地方“极左”思潮的影响，这一民间艺术瑰宝被判为“迷信品”而遭到禁令，销声匿迹三十馀年，无人敢于涉入禁域，以致悄然灭绝。孙淮滨身为一县之文化馆长，他对灵璧钟馗画的灭绝痛心疾首。他忠于职责，对拯救这一灭绝的民间珍稀美术有着强烈的责任感和使命感。他不为己谋，不畏政治风险，舍弃早已驰誉遐迩的“文人画家”的殊荣，毅然投身于民间钟馗画的挖掘抢救工作中去。“非知之艰，行之惟艰”，抢救工作伊始，政治的施压，道中人的劝诫接踵而至。然而孙淮滨不计毁誉，顶风排难，一意孤行。他以挽救民族文化遗产的朴素心态，以历史唯物主义的观点与各方人士坦诚相见，最后终以为孙淮滨殚见洽闻的学术论点所折服，灵璧钟馗画终于在一片诽贬中获得重生。
孙淮滨以他对灵璧钟馗画渊源流变的真知；以其对历代灵璧钟馗画的广见博藏；又以其对工笔重彩人物画的娴熟技艺，并以其对传统灵璧钟馗画在脸谱、造型及绘制技法的熟练掌握，因而灵璧钟馗画在孙淮滨笔下跃然而生，神彩奕奕，佳作联翩。孙淮滨的钟馗画传递着多方面的历史信码，闪耀着浓郁的传统风韵，具有鲜明的地域特征与个性标识。正如清人齐周华在《钟馗像赞》中所云：“惟灵璧所画，往往不脱吴道子原格，故世群推之。”这是评介灵璧钟馗画的经典之论。孙淮滨的钟馗画恰如是说，他追摹古风唐韵，不失传统，因之深具价值。
孙淮滨身为文化人，护守文化根，薪传文明火，弘扬中华魂。其人其艺，世代永馨。

Person of Anhui clever a round flat piece of jade with a hole in its center, university culture, title of the deputy member that study a house. Division of his one's early years enters room child Wang Kuibi, Lv Feng from clear a respectful form of address for a Taoist priest child gentleman, give and accept of patriarchal clan system, the innermost recess of a hall the interior of a country profundity of thought or knowledge deep, a respectful form of address for a Taoist priest that it is Qing Dynasty sends child again. Its calligraphy tablet learns skill deep, grow to reach seal be subordinate to at boreal tablet, book wind Cang Gu is simple and honest, for fellow express one's admiration. Its picture is entered from the book, know well is ripe " 6 laws " , dabble is very wide, no matter landscape, painting of flowers and birds in traditional Chinese style, rich is ancient, character, or be versed in or write, all without exception holds concurrently can arrogate to oneself of essence of life, each attain its are clever, make a name already picture altar. He more art of folk of be sentimentally attached to, sincering particularly to local culture. Provide colorific of place of clever a round flat piece of jade with a hole in its center especially " clever Bi Zhongkui is drawn " , have long historical origin and deep ethical culture to accumulate, its origin adores at ancient totem, it is the evolution of dance of exorcise of evil spirit of drive of yellow emperor of thill of a small room. Old Zhong Kui culture, it is the exorcise in memory of the Chinese nation falls all the time the gigantic spirit of blessing, be healthy atmosphere is reincarnate. The individual character that Zhong Kui chases severe drive demon is idiosyncratic agreeing with psychological quality photograph of people, so it is accompanying civilian folk-custom activity to pass develop all the time from old years up to now. Clever Bi Zhongkui is drawn is with Tang Ren Wu Daozi " Zhong Kui appearance " for pink this, have folk-custom belief and artistic and aesthetic double function, it is mental culture and aesthetic value reframe, it is representing people popular culture and feeling, the civilian fetch place that is the Chinese nation returns. The existence that clever Bi Zhongkui draws is Chinese old culture " activation stone " , be Chinese civilianThe precious bequest that draws between. Thoroughfaring picture of bell of clever a round flat piece of jade with a hole in its center ever was exhibited at was being joined 1915 at Panama world exposition, receive in glory a gold prize, become famous international draws altar. But after liberating, as a result of the place " ultra-Left " the influence of thoughts, gem of this one folk art is sentenced to be " superstition is tasted " and suffer a ban, disappear from the scene 30 Yu year, nobody dare experience is entered ban region, as a result is eradicated sadly. Sun Huaibin the culture curator as one county, he eradicates with bitter hatred to what clever Bi Zhongkui draws. He devoteds to duty, rare to saving the civilian precious that this eradicates art is having strong sense of responsibility and mission feeling. He is oneself seek, not Wei politics risk, abandon already gallop praise of far and near " bookman painter " special honour, resolutely in devoting into the mining rescue that at folk Zhong Kui draws to work, go. "Be not the difficult that know, the alone difficult of travel " , rescue work beginning, of politics apply pressure, the dissuasive following one by one of path go-between and to. However Sun Huaibin not plan praise or blame, platoon of against the wind is difficult, act wilfully. He in order to rescue the simple state of mind of ethical culture bequest, meet with the viewpoint of the historical materialism and each square personage openness, think Sunhuai bank exhaust sees be in harmony is heard eventually finally academic argument place is convinced, clever Bi Zhongkui is drawn demote in a slander eventually in obtain renascence.
Sun Huaibin draws the genuine knowledge that deep headstream changes to clever Bi Zhongkui with him; The Anjianbo that to past dynasties spirit with its Bi Zhongkui draws hides; Weigh the adept craft that color character draws to traditional Chinese realistic painting characterized by fine brushwork and close attention to detail with its again, thoroughfare to master adroitly what the picture reachs scale ability way in types of facial makeup in operas, modelling to traditional Ling Bizhong with its, consequently clever Bi Zhongkui is drawn be born in appear vividly of Sun Huaibin the wording and purpose of what one writes, divine colour vigorous, together of an excellent work. Sun Huaibin's Zhong Kui draws the history that delivering many sided to believe a code, glaring full-bodied traditional charm, have bright terrain feature and individual character label. Qi Zhouhua of clear person of no less than is in " Zhong Kui resembles assist " in place cloud: "Alone Ling Bi is drawn, often do not take off Wu Daozi former division, die group push. " this is thoroughfaring picture of bell of review clever a round flat piece of jade with a hole in its center talk classically. The picture just says Sun Huaibin's Zhong Kui so, he seeks copy antediluvian Tang Yun, do not break a tradition, have value greatly so.
 Sun Huaibin as the cultural worker, protect defend culture root, firewood expresses civilized anger, promote China spirit. Its person its art, for generations always strongs and pervasive fragrance.