林曦明
林曦明1925年生,原名正熙,号乌牛,浙江永嘉人。擅长中国画、剪纸。中国美术家协会会员、中国剪纸学会名雀会长、美协上海分会理事、吴昌硕艺术研究会副会长、林风眠艺术研究协会副会长、现代书画研究会会长、浙江画院特聘画师等。作品有《红梅时节》、《水满鱼肥》、《太湖之歌》、《漓江雨后》、《故乡》、《晚泊》、《山童》、《牦牛图》等入选全国美展,荣获国际大奖,世界杰出贡献奖,二十世纪成就奖等。出版有《林曦明画集》、《林曦明剪纸选集》等。
擅山水、花鸟、人物、走兽,所作兼取文人画、民间画以及西画的特点,笔墨豪放,意境清新,别具一格,富有浓郁的生活气息和时代精神。作品多次在国内外展出并在报刊上发表,1987年秋在上海举办“林曦明中国画大展”。亦擅剪纸。出版有《林曦明画选》、《林曦明国画选》、《林曦明剪纸选》、《林曦明作品选集》分为人物、山水、花鸟、书法共四卷。1993-1994年度英国剑桥世界名人传记中心授予他“世界杰出贡献奖”以及“20世纪成就奖”。其传记入编《世界名人传记》、《国院精英名人录》,第11版《世界名人500位》等。
林曦明的父亲是位民间画匠,受地方民俗影响和家庭熏陶,他四岁开始就喜欢画画。10岁时入乡村私塾就学,攻读诗文,后到正式学校读书,那时他仍不忘临摹当时的香烟牌头的戏剧人像。后因家境贫寒而辍学,14岁随父亲学艺,绘制民间壁画、漆画、泥塑和刻制剪纸。
随父学艺期间,林曦明先生接触了各种民间绘画艺术,其中有庙宇中的大壁画、戏台上的平池装饰画,直至民间嫁娶所用器具的金漆彩绘,这些无不滋养着他童年心灵的艺术萌芽。1942年18岁的林曦明到温州跟随苏昧朔先生学习中国画、书法和诗词,成了他的入室弟子,受益终生。1955年师从王个簃先生研习书画,广泛学习石涛、八大、吴昌硕、齐白石、黄宾虹的作品,同时研究现代绘画。
1987年秋在上海举办“林曦明中国画大展”。出版有《林曦明画选》、《林曦明国画选》、《林曦明剪纸选》、《农村新窗花集》及诗歌插图多种。现为中国美术家协会会员、上海美术家协会理事、中国剪纸学会名誉会长、上海吴昌硕艺术研究会副会长、上海林风眠艺术研究会副会长。
林曦明的艺术道路并不像传统中国画家那样从临仿明清诸家而上溯宋元,也非系统地接受新式美术教育打下学院派造型的功底。他出生于浙江永嘉县乌牛镇溪口西山村,父亲是闻名乡里的画工,他的童年是随父亲走乡串村,食宿在庙祠农家,协助父亲作壁画、漆画、祖先挂像和戏台装饰画中度过的。他对民间美术的接触不仅甚早,而且非常广泛,民间美术也开启了他的艺术慧根。他最早从事艺术创作的是剪纸,用于春节的龙灯装饰和婚事中的礼花。
林曦明的中国画学启蒙于10余岁时自己临摹的《芥子园画谱》、《醉墨轩》和《钱慧安画谱》。16岁后,他正式师从温州的古典人物画家苏昧朔先生。苏昧朔,字融和,毕业于上海美术专科学校。师从苏昧朔先生,才在真正意义上给林曦明打下了人物画的造型基础。在先生的指引下,他临摹了许多古画和小说中的人物秀像,兼习书法和诗词。1946年,林曦明20岁时,在温州“神州画苑”举办个人画展,展出了表现民间风俗(如街头卖艺、渔、樵、耕、读等)的中国画百余幅。现在能够看到作于这个时期的《关公读春秋》和《执剑钟馗图》,颇能显示他在人物造型和笔墨上的悟性与才华。
1956年林曦明在上海少年儿童出版社从事美术编辑期间,有机会接触了许多海派名家,这对于他画学道路的开阔影响深远。他曾师从王个簃先生,从而在书画诗词方面的研习更深入了一步。通过王个簃先生,他开阔了画学的视野,广泛临习了石涛、八大、吴昌硕、齐白石、黄宾虹诸多门派的艺术,并有幸与林风眠、关良先辈相识,结为终生师友。不可否认,林曦明日后的简笔大写意山水与人物,都曾从缶老的笔墨中得到过许多雄健豪放的流风遗韵,而他能密切接触到的吴湖帆、贺天健又在笔墨上给他以秀雅温润的滋养,这无疑是林曦明在雄健豪放之外又能糅入风雅秀韵的重要条件。
50年代初,林曦明主要精力投入在剪纸上,对于中国画尚处于沉潜的研习状态。50年代末至六十年代是他艺术的转换期。1959年,他不仅有中国画人物作品《炉前》和《青年工人》参加上海解放十周年画展,而且还在上海美术展览馆举办“林曦明山水写生观摩展”。
70年代是林曦明开始形成自己艺术面目的重要时期。1971年,林曦明因周总理指示为上海六大宾馆作布置画的契机而调入上海中国画院工作。这一时期,他为了丰厚自己的笔墨底蕴,而意临了一些齐白石的人物画和永乐宫壁画,这在他的《东方朔偷桃》、《无量寿佛》、《罗汉图》、《道观配乐图》和《临永乐宫壁画》中可以直接看出。笔墨的历炼,丰富了他的表现能力,也成就了他在1973年创作的《太湖之歌》、《洞庭桔子红》和《柳荫渔歌》这几幅在当时引起人们普遍关注的作品。也可以说,七十年代那个特殊的政治化岁月,在客观上也扩大了林曦明的山水画视野,那些为反映革命圣地而得到的外出写生的机会再次赋予他的山水画以清新的意境。
1975年,林曦明被借调到上海戏剧学院美术系任教,因此他有了更多的带领同学出去写生的教学实践。
80代是林曦明个人艺术风格的成熟期,他的简笔浓墨山水几乎成为人们识读林曦明山水的一个符号。从师承关系来说,这个时期在人物画上,他更倾心于关良,崇尚关良先生在戏曲人物画方面表现出的简练与童稚之趣。在山水画上,他意临了一些黄宾虹的作品,构图上,他试图放大黄宾虹山水画的某些局部;笔墨上,他试图将黄宾虹的破墨与宿墨予以重新整合。黄宾虹和关良是他终生仰慕的先生,他似乎是在敬仰中吸收着他们的艺术养分并渴望化为自己的某种趣味。
林曦明简笔水墨山水的醇熟,在八十年代前后就产生了影响。七十年代末,他的作品在《美术丛刊》专题发表时,就引起读者的广泛关注,他成为当年海派画家中一个面目较新的山水画家。而且,那是一个对传统中国画提出质疑、否定并孕育着中国画大变革的时期,一方面是回归传统,另一方面则是反叛传统,现代水墨概念由此提出,水墨与媒材的自身价值凸显而出。也许,正是处于这个大变革的时代,林曦明简笔浓墨山水所凸显的视觉形式、所具有的替代皴和线的具有现代水墨特征的中国画探索才能被现代性的审美价值所肯定。毫无疑问,林曦明简笔水墨个性的形成不仅是他个人从传统走向现代的标志,而且也是那个时代精神与艺术思想的体现。
90代及90年代之后,林曦明的个人风格愈臻鲜明和完备。在人物画方面受林风眠影响,画了多幅风眠式的仕女画。这些作品墨韵淡雅,线条虽也像风眠师那样流畅洒脱,却也增加了中国画用笔的意味与韵致。他晚年的人物画更加减略概括,充满了浓郁的生活情趣,不论《双休日》对于情侣休闲生活的捕捉,还是《柳荫捕鱼图》对于儿童捉鱼趣味的描绘;也不论《林海雪原》从传统题材的翻新,还是像《杜甫诗意》那样表现古典诗词的意境,用笔则减到不能再减,用线则灵动洒脱,用墨则淡雅清透。他的人物画完全从传统变出,既吸收了关良的稚趣,也融合了林风眠的洒脱,在当代写意人物画上也是别具一格。山水画上还是八十年代风格的延续,一方面简笔浓墨的山水更加简洁,像《野渡》(1990)、《水乡》(1994)、《漓江春色》(1995)和《漓江》(1997)等作品,将山水简化为几个墨块,而且用墨也极其滋润,由此彰显出墨块之间的形式意蕴。另一方面则是有意识地追求一种形式构成,比如,在《初秋》、《柳荫牧牛图》和《柳条轻风》一些作品中,他将柳树枝条的线和叶片的点有机地组合为点与线的关系。显然,由构图的简化而引发的对于山水视觉形式的凸显,已成为林曦明山水画的重要特征,而笔墨又是提升他这种视觉形式审美品格的重要条件,在他这种简化的甚至带有黑白关系的图式中,既有墨润渗化、湿润淋漓的大水大墨,也有苍劲浩荡、浑漭朴实的枯笔渴墨。他的简笔山水如果没有由笔而产生的墨与水的动感、速度和变化,那将会逊色得多。
林曦明出生于浙东,是个地道的江南人,因此画面里充满了水的灵动和水的秀韵;他后来长期工作生活于上海,并受教于林风眠、关良、吴湖帆、王个簃等海上名家,笔墨里承传的是海派绘画的神髓,故有海派画家的韵致与风范。但他的画风又以简笔浓墨出之,在海派诸家中显得大刀阔斧、豪情奔放、气象磅礴,似乎又不尽同于海派的儒雅温婉、工谨秀丽。他归于海派,却又显得若即若离。在某种意义上,他跳出了海派囿于一隅的局限性,他的艺术成就正在于八十年代和整个中国画变革求新的时代精神融为一体,既有李可染积墨山水的浓重滋润,也有石鲁逆锋颤笔的峭拔伶俐,还兼得像吴冠中那种对于视觉形式与结构的敏锐与自觉。他既和他们有些相近,但又不全似,这正是他的艺术个性,也是他的艺术探索所体现20世纪山水画的现代性转换。
Lin Xi bright unripe 1925, original name bright, date black is arrogant, zhejiang always fine person. Be good at Chinese picture, paper-cut. Chairman of sparrow of name of society of paper-cut of Chinese artist academician, China, beautiful assist Shanghai chapter director, Wu Changshuo is artistic Mian art studies seminar vice-chairman, Lin Feng imperial art academy of chairman of seminar of association vice-chairman, contemporary painting and calligraphy, Zhejiang hires painter to wait especially. Work has " red plum season " , " water full fish is fat " , " too the song of the lake " , " after Li Jiang Yu " , " birthplace " , " late berth " , " hill child " , " yak pursues " wait for beauty of selected whole nation to exhibit, have the honor to win international large award, award of world crackajack contribution, 20 centuries accomplish award to wait. Publish have " Lin Xi bright picture collect " , " Lin Xi bright paper-cut anthology " etc.
Landscape of arrogate to oneself, painting of flowers and birds in traditional Chinese style, character, beasts, be made hold <> concurrently take bookman picture, folk painting and the characteristic that draw on the west, writing bold and unconstrained, artistic conception is pure and fresh, having a unique style, be full of full-bodied life breath and times spirit. Work is exhibiting domestic and internationally for many times and publish on the press, 1987 autumn hold in Shanghai " bright China picture exhibits Lin Xi greatly " . Also paper-cut of arrogate to oneself. Publish have " bright picture chooses Lin Xi " , " bright traditional Chinese painting chooses Lin Xi " , " bright paper-cut chooses Lin Xi " , " Lin Xi bright work anthology " cent humanness content, landscape, painting of flowers and birds in traditional Chinese style, calligraphy in all 4. Center of biography of celebrity of world of Cambridge of 1993-1994 year England awards him " award of world crackajack contribution " and " 20 centuries make award " . Its biography is entered make up " world celebrity biography " , " person of courtyard essence illustrious name records the country " , the 11st edition " world celebrity 500 " wait.
Lin Xi bright father is a civilian artisian painter, suffer local folk-custom influence and domestic edification, he begins 4 years old to like a painting. Go to school of rustic private school is entered when 10 years old, assiduously study Shi Wen, read to formal school after, he still does not forget copy in those days the dramatic image of the cigarette brand head at that time. Hind because of family circumstances poor discontinue one's studying, 14 years old learn along with father art, scale folk mural, lacquer painting, clay sculpture and quarter make paper-cut.
Learn along with father art during, bright gentleman contacted Lin Xi all sorts of folk brushwork are artistic, the smooth pool on the big mural in having temple among them, stage decorates a picture, till civilian espouse place uses implemental gold lacquer coloured drawing or pattern, the art of these all without exception are alimentary his childhood heart is budding. 1942 Lin Xi of 18 years old bright follow to Wen Zhou the traditional Chinese painting in study of gentleman of Su Mei new moon, calligraphy and poetic word, became him enter room child, be benefited all one's life. 1955 master from king Mr Ha studies painting and calligraphy, study the work of stone of Shi Tao, 8 big, Wu Changshuo, Qibai, Huang Binhong extensively, study contemporary brushwork at the same time.
1987 autumn hold in Shanghai " bright China picture exhibits Lin Xi greatly " . Publish have " bright picture chooses Lin Xi " , " bright traditional Chinese painting chooses Lin Xi " , " bright paper-cut chooses Lin Xi " , " collect of rural new paper-cut for window decoration " reach poetry illustration a variety of. It is paper-cut of director of association of artist of Chinese artist academician, Shanghai, China to learn Wu Changshuo skill of reputation chairman, Shanghai now vice-chairman of seminar of art of Lin Feng Mian of seminar vice-chairman, Shanghai.
Lin Xi bright artistic road does not resemble traditional China painter in that way from Lin Fangming Qing Dynasty all homes and trace Song Yuan, also be not accept new-style art education to hit next institutes to send formative strength systematically. He is born in Zhejiang always village of west hill of mouth of brook of town of ox of fine county black, father is the painting project of famed home village or town, his childhood is to follow father to walk along countryside to string together a village, board and lodging is in farmhouse of temple ancestral temple, assist father to make mural, lacquer painting, ancestor hang what resemble and spend in stage adornment picture. His contact to civilian art not only very early, and very extensive, civilian art also open his art intelligent root. What he is engaged in artistic creation the earliest is paper-cut, the firework that is used in the dragon lantern adornment of the Spring Festival and marriage.
Lin Xi bright Chinese picture learns illuminative at more than years old 10 of own copy " a book on the art of drawing or painting of mustard seed garden " , " drunk Mo Xuan " and " Qian Huian a book on the art of drawing or painting " . After 16 years old, he is formal master the gentleman of new moon of Su Mei of classic character painter from Wen Zhou. Su Mei new moon, word be in harmony and, be graduated from Shanghai art training school. Gentleman of new moon of Shi Congsu be ignorant of, just give Lin Xi on real significance bright the modelling foundation that laid character picture. In the gentleman how-to below, his copy the character show in Gu Hua and a lot of novels resembles, hold calligraphy of be used to and poetic word concurrently. 1946, lin Xi bright when 20 years old, in Wen Zhou " China draws center " hold individual art exhibition, exhibited to behave folklore (like street make a living as a performer, fishing, firewood, agrarian, read etc) China draws more than 100. Can see now at this period " close fair read year " and " hold sword Zhong Kui pursues " , can display his comprehension on character modelling and writing and talent quite.
1956 Lin Xi bright during press of Shanghai teenager children is engaged in art editing, organic meeting contacted a lot of seas to send a person of academic or artistic distinction, this learns viatic to widen to his picture far-reaching. His Ceng Shicong king Mr Ha , be in thereby of side of term of poem of painting and calligraphy study more thorough one pace. Pass king Mr Ha , he widened the view that the picture learns, face review extensively stone of Shi Tao, 8 big, Wu Changshuo, Qibai, Huang Binhong is a lot of the art of school, favour and Lin Feng Mian, ancestors involving fine is acquainted, the knot is a teacher and friend all one's life. Undeniable, the landscape of meaning of brief pen capitalization after Lin Xi tomorrow and character, ever had gotten the musical sound of involuntary discharge of urine drifting wind of a lot of powerful bold and unconstrained from inside the words with old v/LIT an amphora-like jar, and he can be close the Wu Hufan of bring into contact with, He Tianjian gives him on writing again with beautiful elegant Wen Run alimentary, this is Lin Xi Ming Zaixiong undoubtedly besides be good at bold and unconstrained can the fundamental condition that mix enters artistic show charm.
At the beginning of 50 time, lin Xi bright main energy is thrown on paper-cut, to China the picture still is in heavy go study position. 50 time end comes 60 time are his artistic changeover period. 1959, he has China to draw character work not only " before furnace " and " young worker " attend Shanghai to liberate 10 anniversary art exhibition, and still hold in Shanghai art exhibition " view and emulate of bright landscape paint from life exhibits Lin Xi " .
70 time are Lin Xi bright the important period that begins to form him art appearance. 1971, lin Xi bright because Premier Zhou is indicated,for Shanghai 6 old hotel are made decorate the chance of the picture and transfer into Shanghai China imperial art academy works. This one period, he for rich and generous oneself words details, and a few Qi Baishi's characters draw meaning at last mural of He Yongle palace, this is in his " Oriental new moon steals a peach-shaped thing " , " boundless birthday Buddha " , " arhat pursues " , " path view dub in background music pursues " and " mural of Lin Yongle palace " in can see directly. All previous refine of writing, abounded his expressional ability, also accomplished him to was created 1973 " too the song of the lake " , " orange of hole front courtyard is red " and " fisherman's song of shade of willow trees " these a few work that cause people to pay close attention to generally at that time. Also can say, that special politics changes years seventies, going up objectively to also enlarge Lin Xi bright landscape painting eye shot, those are what reflect revolutionary sacred place and get to go out sketchy opportunity gifts again his landscape painting with pure and fresh artistic conception.
1975, lin Xi bright be fastened to teach to art of Shanghai Thespian institute by temporarily transfer, accordingly he had more guiding the classmate goes out sketchy education practice.
80 generation are Lin Xi the autumn of style of bright individual art, landscape of his brief pen thick Chinese ink becomes people knowledge to read Lin Xi almost a symbol of bright landscape. From division bear for the relation, this period is drawn in the character, he more admire Guan Liang, advocate what gentleman involving fine shows in respect of opera character picture is succinct the interest with Tong Zhi. On the landscape painting, his meaning at last a few Huang Binhong's work, on composition of a picture, what he tries to put landscape painting of rainbow of Chinese rhubarb guest is certain and local; On writing, he tries to give broken Chinese ink of Huang Binhong and Su Mo new conformity. Huang Binhong and Guan Liang are him all one's life the gentleman that admire, he is some kind of gout that yearns for him melt into in the artistic nutrient that there are them in revering it seems that.
Lin Xi bright the alcohol of landscape of Chinese ink of brief pen water is ripe, produced an effect in 80 time around. Seventies end, his work is in " art collection " when special subject is published, cause wide attention of the reader, he is become in those days the landscape painting home with a newer look in painter of sea manner and air. And, that is one raises doubt to the traditional Chinese painting in the tradition, deny and be pregnant with the period of revolution of the traditional Chinese painting in the move, it is recursive tradition on one hand, it is conspiracy tradition on the other hand, concept of contemporary water Chinese ink puts forward from this, the oneself value of water Chinese ink and intermediary material is highlighted and go out. Perhaps, be in the times of this revolution just about, lin Xi bright the replaces chapped and line has feature of contemporary water Chinese ink China that the visual form that place of landscape of brief pen thick Chinese ink highlights, place has draws exploration ability to be affirmed by modernistic aesthetic value place. Without doubt, lin Xi bright of individual character of Chinese ink of brief pen water forming is his individual moves toward contemporary mark from the tradition not only, and also be that times spirit and artistic thought reflect.
After 90 generation reach 90 age, lin Xi bright individual style heals attain bright and complete. In the character picture respect suffers Lin Feng Mian to affect, painted the picture of traditional Chinese painting of beautiful women of type of many wind Mian. Quietly elegant of these charm of work Chinese ink, although line also resembles wind Mian division fluent in that way and free and easy, the traditional Chinese painting in also increasing however uses the imply of the pen and charm to send. The character of his old age is drawn more decrease generalize slightly, was full of strong life interest, no matter " double cease day " of recreational to sweethearts life catch, or " Liu Yin fishs graph " hold piscine interest to children depict; Also no matter " immense forest snow-field " the face-lifting from traditional subject matter, still resemble " Du Fu poetic flavour " the artistic conception that behaves classic poem word in that way, decrease with the pen cannot decrease again, with the line clever and free and easy, use quietly elegant of Chinese ink criterion clear. His character picture changes completely from the tradition piece, the childish that absorbed Guan Liang already is interesting, shirt-sleeve also of Lin Feng Mian free and easy, having a unique style also is on picture of enjoyable now character. The continuance of 80 time manner still is on the landscape painting, on one hand the landscape of brief pen thick Chinese ink is more concise, picture " wild cross " (1990) , " a region of rivers and lakes " (1994) , " Li Jiang Chun is lubricious " (1995) and " Li river " (1997) wait for work, simplify landscape for a few Chinese ink piece, and with Chinese ink extremely moist also, reveal a formal intention between Chinese ink piece from this accumulate. It is to go after a kind of form to form conciously on the other hand, for instance, in " Chu Qiu " , " Mu Niu of shade of willow trees pursues " and " wicker light breeze " in a few work, bit of organic ground combination of his line willow branch and lamina the relation that is dot and line. Apparent, by composition of a picture simplify and cause to landscape vision form highlight, already became Lin Xi bright the main feature of the landscape painting, and writing is to promote him form of this kind of vision the fundamental condition of aesthetic character and morals, what contain black and white relationship even in what he simplifies this kind is schematic in, already ooze of Chinese ink embellish is changed, the flood big ink stick of wet dripping wet, the withered pen thirsty Chinese ink that also has guileless of Mang of vigrous and vast and mighty, muddy. If his brief pen landscape does not have the Chinese ink of by the pen generation and water use feeling, speed and variation, that will inferior much.
Lin Xi bright be born in short for Zhejiang Province east, it is a typical Changjiang Delta person, what water was full of in the picture accordingly is clever the beautiful charm with water; He works for a long time later live at Shanghai, suffer teach Yu Linfeng Mian, Guan Liang, Wu Hufan, king the maritime a person of academic or artistic distinction such as Ha , in writing bear the divine marrow that those who pass is brushwork of sea manner and air, the charm that reason has the sea to send a painter is sent with wind model. But his picture wind goes out with brief pen thick Chinese ink again, in sea manner and air Zhu Jiazhong appears bold and resolute, lofty sentiments bold and unrestrained, atmosphere is boundless, be the same as Yuhaipa very much again it seems that Confucianism elegant Wen Wan, labour sincerely beautiful. He is attributed to sea manner and air, appear again however keep sb at an arm's length. In a sense, he jumped out the sea sends animal farm the limitation at the corner, his artistic achievement is depending on 80 time and whole China picture changing beg new times spirit be in harmony to be an organic whole, the dense that already Li Ke catchs the landscape that accumulate Chinese ink is moist, also stone Lu Nifeng quivers the high and steep of the pen is bright, still hold concurrently so that resemble the sort of to visual form and structure acumen in Wuguan and consciousness. He has some of close with them already, but do not be like completely again, this is his artistic individual character, what the artistic exploration that also is him reflects the modernistic changeover of 20 centuries landscape painting.
美术家百科信息声明创建百科
1、本站美术家百科信息均来自于美术家自己投稿或网络,本站无法确定每条信息或事件的真伪,信息仅做浏览者参考。
2、信息修改或删除请联系美术网客服微信:4081532。